Chris Keeney and the artful pinhole photograph

Chris Keeney is a photographer living in California making excellent photographs. He has also tracked down the most interesting and varied international pinhole artists for monthly features on his site. It is well worth checking out. Each featured artist gives a statement about what led him/her into pinhole photography with often fascinating insight into their creative process. These artists are selected for going beyond a simple soft-focus pinhole image to show the breadth of possibilities of lensless photography.

At long last finished!

At long last finished!

Wow – I’ve just realized that it’s been more than a year since I’ve last reported anything about my project. I was simply over my head with work and obligations and I had concluded that any realtime blog would be dull griping about things getting in the way. If I were a good writer it could easily be turned into a farce of trials.

Here’s a summary of the last year…

I applied to the NFB for a Filmmaker’s Assistance Program (FAP) grant for post-production services – and I got it! It provides me with a final sound mix, online colour correction and final output. But the absolute greatest benefit is a hard deadline. When working independently, while holding a paying job and a non-paying parental position, it’s hard to justify the luxury of ‘working’ on a personal film project with no obvious financial benefits. But a deadline for the NFB was an opportunity to take seriously and I wouldn’t feel so selfish in taking up time and asking my hard working partner to take up the slack.

My images and sound had to be completed by the week before Christmas. Should be no problem, I thought. I didn’t have much left to do. And yet… My son gets sick, I get sick, the computer breaks down, there’s preparation for kindergarten – all the usual family kind of stuff. And the real trials hadn’t yet begun.

We bought our house six years ago as an honestly disgusting fixer upper. There certainly are worse things in the world to tolerate but after years of working in a barely functional, possibly hazardous kitchen we decided it was time to face renovating. Good thing too, as it turned out there was a disaster waiting behind the walls. But for the summer the usual planning and shopping for elements was thrown unto the daily todo pile.

Then September came, and the cat got bitten on her bum. By another cat. It got infected and within a couple of days a dollar sized piece of skin died and fell off. She had an operation but the suture was too tight. It opened and became reinfected. Now a bigger hole needed closing. Another fancier operation turned her into frankencat (but I think the shaving made her more of a Dr. Seuss creation). She was on antibiotics and morphine – quite something to see a cat with a cone on its head on morphine – and had hydrotherapy three times a day and weekly vet visits. I thought the words ‘hydrotherapy’ and ‘cat’ in the same sentence is quite hilarious. Turns out it’s for real and it means hold cat under running water for five minutes. We were all traumatized by this at first, and then we all got used to it as a normal daily procedure. But the worst part for the cat was wearing that danged cone on her head that kept her from grooming and playing properly. At first she was bumping into everything until she adapted to a new and exotic way of walking, eating and jumping (Dr. Seuss: pompom tail and all). Animals are amazing.

So it’s November. After the requisite delays (what reno doesn’t have them) the reno has started and the easter eggs behind the walls get discovered. It turned out that for years the bathtub had been pouring water into the walls with every bath (good thing only one of us has the time for baths), our main water valve was never working, and predictably there was faulty wiring. But the most exciting news was that our main sewage pipe had a two foot gash and was so rotten it crumbled to the touch. Rotten too was all the wood beams in contact with it. More walls had to be torn down to replace the entire pipe. My son moved into our room.

But it’s November, the cat is miserable and needs attention, my son does not like kindergarten, we are all confined to sleeping in one small double bed (‘sleep’ is used nominally) and eating take out BBQ chicken with dust in my small packed office. Of course I get sick, and I have to ‘work’ to the sounds of a half dozen men dismantling the house. My deadline was approaching. Part of me couldn’t care because just getting breakfast together was a successful day. It was – stressful.

It all has a happy ending. Although I had managed to finish everything for the deadline, at the last minute the NFB postponed the work until just after the New Year – but that too is now in the past. The experience at the NFB was wonderful. I feel particularly grateful to the contribution made by sound technician Shelly Craig who thought this would sound great in 5.1 and found the perfect ambient track that had eluded me (I wanted cicadas – specifically tibicen canicularis because who knew that cicadas don’t all sound alike – but not so many drat birds).

And so it’s finished. And awaiting acceptance into festivals while I recover from about five years of stress. Our house looks great.

Thinking of pinholes

Here I will try to answer the blazing question: Why?

Why pinhole images? What’s so special about them other than a certain appealing fuzziness?

For me the attraction comes down to specifically four things that a pinhole can do that (in most cases) a lens cannot. Not an exhaustive list but just what attracts me. We tend to think of advances in technology as a categorical improvement over everything that’s come before it. A lens is so much more sophisticated than a hole – how can it not do everything a hole can and more? And yet the humble hole has some inimitable properties.

1. Infinite Depth of Field.

Steve Irvine’s Parsnip:
Parsnip - photograph by Steve Irvine

In other words, something sitting right in front of the pinhole is as in focus as the farthest thing in it’s field. Impossible with a lens. Even with the widest of lenses there’s a limit to the DoF and something is going to be out of focus – (never mind distortion of perspectives). Infinite DoF can make miniatures look full-sized and provide an unexpected intimacy with objects

Steve Irvine’s Parsnip is a beautiful example and beautiful too are the the homemade pinhole cameras he makes.

2. Long and very very long exposures

Michael Wesely photo
By very very long I mean several years. Michael Wesely, one of my alltime favourite photographers made a famous 34 month long exposure of the building of the MoMA. But I find his more modestly timed photo of the New York Gay Pride Parade even more fascinating and haunting. It’s an exposure long enough to almost obliterate moving things and register only the immobile.

Alexey Titarenko - photo
I’m also a huge fan of the work of Alexy Titarenko. This well-known photo of his has almost the opposite effect of accumulating moving bodies to fill the space. Using time to accumulate or obliterate elements with a pinhole is as intriguing as ‘capturing the moment’ with a lens.

3. To go where no lens has gone before.

Justin Quintell - photo
You cannot put a 35mm camera into your mouth and you cannot then expect it to be able to focus on both the inside of your teeth and the world beyond. Justin Quinnell is the master at capturing images that are in every respect out of bounds to lensed cameras.

I also like the that the pinhole camera is unintimidating and at times inconspicious.

4. Distorted views

Jeff Korte - photo

Reality can be distorted in poetic ways with multiple holes and double slits. Jeff Korte is brilliant for creative use of the multi-hole.

And so is the work of Udo Beck that takes photography into the realm of pure abstraction:

Udo Beck

Look – it moves!

What’s a blog about a film project without moving images. It’s about time I got around to installing support for movies. Goodbye grainy unwatchable Dailymotion links (only because I don’t want to pay for quality service). Here’s something that’s still blurry but bearable.

And now for the grand premiere I present here a sampling of some flower hopping. Older posts on flower hopping can be found here and here.

*Video:hopping pinhole animation

And now for some tests exploring what can be done with double slit apertures. I describe double slit apertures here. Interestingly the last sequence is the clearest and I made that one by cutting up a pop can with scissors. I’d have to check my notes but I think all the others were made with razor blades. I found no difference in quality even with my pinholes between the ones I made by hand and the lazer made ones.

*Video:double slit animation

After the Christmas break…

After the Christmas break...

As usual, my paying job and mothering job has taken over all of my time in the last few months. Scoping out a school for my son for next year is a biggie.

In the last week I was finally finally FINALLY able to do some editing. As I’ve mentioned some time ago, my planned shot called Zinnia Switcheroo didn’t work out and this left a big hole in the middle of the film. Filling it was the toughest part because it meant loosening up the master plan for my progression which was to go roughly from representational to wonky to completely over-the-top and back to representational. I have plenty of material to draw from but nothing of just the right wonkiness. So I filled it with a nice rhythmic sequence.

Todo (at least for the short term – and I really can’t think beyond my nose right now) :

    1. Transfer last summer’s footage from HD-SR to TGA files.
    2. Fine tune editing of the proxies (lo-res version of the final hi-res images)
    3. Prepare grant applications to finish this film.

Back from limbo

Back from limbo

The lab found my footage and I’m very happy with the results from last summer’s shoot. Most things turned out. Although pretty self-critical by nature I’m impressed by how far I’ve developed this technique from the first summer of shooting. I was particularly pleased with the un-pre-tested climactic sequence that strangely came out exactly how I saw it in my head. And how often does that happen! What didn’t turn out was the Zinnia Switcheroo - which will have to be replaced by something else. It was within frame this time but I don’t like it.

Next up on the to do list: get back my access to hexagram and transfer all the HD-SR footage to Targa files. Edit.

And look through the mail order seed catalogues for vegetable seeds. No more flowers next year.

The lab lost my footage

Wow. I can only hope that they find it. To give you an idea of my state of mind – this news is at the very bottom of my current pile of stressors. Not to say that I won’t be unspeakably upset if the footage never shows up. Sigh…

Respite

Respite

Within three days the Part Time faculty Showcase and Halloween have both passed! I can breathe ever so slightly before jumping into organizing a children’s birthday party and thinking of Christmas.

The Showcase was interesting. It was the first time showing any part of this project publicly and getting a bit of feedback. Most interesting was a suggestion that I should leave in all the dirt I was trying to clean up. Here I was thinking that it would be a distraction to see these unmoving specks and didn’t consider that the imperfection of this technique is what sets it apart from the current common digital work.

Just to rub in the lesson. I saw Barry Purves speak at the Stop Motion Film Festival. He’s a wonderful engaging speaker and very generous with his time and enthusiasm. One of his recurring themes of the evening was: how imperfections are what remind us of the hand of the animator and are part of the allure of hand-made animation. He mentioned that Nick Park fought to keep in the fingerprints on his plasticene Wallace & Gromit puppets.

A couple of years ago I showed my friend Louise the earliest version from my earliest shoot and to my horror it was footage that was transferred from film to digital by the most brutally crude means: a film projector’s projection diverted to a cheap handycam by way of a mirror. It was extra blurred with blown out colours and jittery. And She Loved the look. Unfortunately not a pinhole camera look.

So I think I’ll have to add back the dirt. Maybe I should also rethink evening out the exposures on sequences that were wonky from variable clouds. And maybe I should also reconsider using the footage that got burned from leaving open the viewfinder.

Maybe there’s nostalgia out there for the hair in the projector gate look too.

The presentation is lurking ahead!

The presentation is lurking ahead!

There I go again not posting for a good long time. I thought I was busy before but there was another notch left to the flame. I had very little time to do anything project related so it’s not like I was holding back from posting anything exciting.

The film is at the lab and has been for a few weeks waiting for a spot to do the transfer to HD-SR. But there’s no time to get excited about getting back the results – I have to put together a public presentation by the end of the week! If anyone is in Montreal you can find me Friday (29 Oct) in the lobby of the Concordia University library building (1400 de Maisonneuve Blvd West) between 10am – 2:30pm attending to a small display consisting of some film loops and enlarged stills (if I can get them together, that is). This is part of a general showcase of part-time faculty members.

Unfortunately this day coincides with everything else that’s going on in my otherwise happily dull life: my son’s daycare Halloween party and the opening of my friend Erik’s Second Annual Stop Motion Film Festival (curiously also in the library building). So many good reasons for everyone to go to that building that day.

End of the roll!

End of the roll!

Finally! I was able to shoot the last few seconds because at long last my free time aligned with a day that didn’t have rain. I’m a bit sad this part is over. There are things I still wanted to try.

But I did get to try a bit of this double lazy susan idea. I have flowers set up like a carousel on one and the camera on another. With more time/film I would have animated the flowers hopping around – or at least have been better able to coordinate the speed of the flowers rotating with the speed of the swinging camera. I ran out of film but not before trying this with both a single and a double aperture.

Ah the possibilities of a rotating hop… my patient family would think there’s no end to the madness if I would continue this over another summer.

Copyright © 2007 blinkety. All rights reserved.